As Man-duk retreats into his stupor, other desperate hunters of more questionable skill come to the fore - namely a gang led by the callous Gu-kyung ( Jeong Man-sik). By the time he is summoned to the governor’s office in 1925, he has already become a wreck, a sickly widower who long ago traded in his shooting prowess for an alcohol-fueled existence. But the plan has hit a snag: Casualties are mounting as soldiers fail in their attempts to kill a remaining streak on Jirisan, one of Korea’s most sacred mountains.Īs it happens, Jirisan is also the home of the film’s protagonist, Man-duk ( Choi), who - as shown in the film’s prologue - was once the best and most dignified hunter in the region.
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Determined to crush the morale of the local population, the authorities - or, at least, the governor - is at work to exterminate the country’s tigers, an animal seen as the embodiment of the Korean national spirit. The Tiger is set in 1925, with Korea having already been under Japanese rule for more than two decades.
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Read more South Korea Sets Movie Attendance Record for Fifth Consecutive Year 8, as more exposure on airlines or home entertainment beckons. But the film deserves more than its domestic takings or its limited release stateside since Jan. 16, the film has only generated 1.7 million admissions, a modest figure compared to Roaring Currents (a record-breaking 17.3 million) or, for that matter, New World (4.3 million). While still boasting caricatured Japanese villains brimming with sadism and devoid of scruples - the primary antagonist here is a governor ( Ren Osugi) who scorches earth and sacrifices locals to get at this one tiger eluding him - the film doesn’t offer the unbridled nationalism in recent Korean blockbusters such as Roaring Currents or Northern Limit Line.